In Coralie Fargeat's new feminist horror movie The Substance, hazardous societal beauty specifications are the true creatures. They (female objectification, the fingertip of "the aged," the spreading of a field built on body alteration) nourish a beast of a cycle that leads Demi Moore's fading TV individual character Elisabeth https://henry-winklerupdates.oneworldwiki.com/6243541/margaret_qualley_the_substance